Ses limites sont tout autres et elles sont déterminées par la nature et l’étendue de l’engagement avec les vies des personnages avant et après la guerre. Certes, l’impact du film n’est pas limité aux spectateurs connaissant la situation politico-militaire décrite par le film. Toutefois, la contextualisation très partielle de la guerre du Liban de 1982 et les vies des soldats impliqués et représentés dans le film limitent les possibilités de Valse avec Bashir de se transformer en une œuvre vraiment pacifiste.
Ari Folman, Israel, Frankrijk - France, Duitsland - Allemagne. Abstract (F): S’inspirant des recherches en cognition cinématographique, cet article démontre que le documentaire animé d’Ari Folman, Valse avec Bashir, recrée vraiment le processus de la mémoire retrouvée en exploitant la manière dont notre cerveau traite les images filmiques, puis en thématisant la mémoire. Waltz with Bashir Valse avec Bashir Vals im Bashir. While the film's impact is not limited to viewers with knowledge of the particular politico-military conflict the film represents, it is limited by the nature and extent of its involvement with its subjects' lives before and after the war. I wrote the scriptin six days, listening only to Max Richter’s. However, the film's limited contextualization of the 1982 Lebanon War and the lives of the soldiers involved and depicted limits Waltz's ability to make an effective antiwar statement. It was not accidental that Ari Folman asked composer Max Richter to create a score for his film, Waltz with Bashir. It won numerous awards, including the Golden Globe Award for Best Foreign Language Film, the National Society of Film Critics Award for Best Film, the César Award for Best Foreign Film, and the International Documentary Association Award for Best Feature Documentary, and was nominated for many more, including the Academy Award for Best Foreign Language Film, the BAFTA Award for Best Film Not in the English Language, and the Annie Award for Best Animated Feature.īashir and the stop-motion $9.99, both released in 2008, were the first Israeli feature-length animated films released theatrically since Joseph the Dreamer in 1962.Abstract (E): Drawing on scholarship on film cognition, the essay argues that Ari Folman's animated documentary Waltz with Bashir effectively recreates the process of recovering memories by capitalizing on the way our brains process films, and by thematizing memory. Subsequently, it received wide acclaim from critics and audiences alike, with particular praise given to its themes, animation, direction, story, and editing, and grossed over $11 million at the global box office. Waltz with Bashir is based on Ari Folmans experiences as a young Israeli Defense Force solider on duty in a Beirut refugee camp during a massacre. The film premiered at the 2008 Cannes Film Festival, where it competed for the Palme d'Or.
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